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| amplifiers |
| consoles |
| hi fi |
| midi
& synthesizer |
| microphones |
| mixed stuff |
| monitors |
| multitrack |
| noise reduction |
| outboard |
| studio furniture |
| two tracks |
| video |
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Works perfect! The EMS Vocoder 2000 is an excellent voice synthesizer comparable to the Roland SVC-350. these EMS have been used by Brian Eno, Pink Floyd, Stereolab, Yes, and many more. The 2000 is a compact, simple to use and versatile speech synthesizer. Its main purpose is to impose the articulation of a voice onto another sound, thereby making it speak or sing. Such sounds (excitations) can be derived from any audio source. 32 filters analyse and resynthesize the frequency and amplitude pattern of the speech input. |
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Designed for the musician who demand the utmost
in performance. The Jupiters has a sound that`s unlike to any other
synthesizer and the 6 is no exception. This sound is is created
by analog filters, 12 analog oscillators /2 per voice.The Roland
Jupiter 6 was released in 1983 at a list price of $3,000. |
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| Roland OP 8 External Part |
Interface for DCB Synthesizer of the Roland Cooperation. |
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| Midi | ||
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IThe D4 was an affordable
and fully professional Drum and Percussion sound module. It featured
500 drums sounds, sampled at 48kHz and stored on an internal ROM chip.
The sounds cover the whole gamut, from great acoustic drum types to
electronic drum sounds. Orchestral and ethnic percussion sounds and
various percussive effects are also available. There are 21 programmable
drum kits as well. And the D4 has full 16-channel MIDI implementation.
The D4 has 12 trigger inputs allowing drummers to
trigger its sounds from acoustic or MIDI pads. Engineers and musicians
can also trigger drum sounds from the D4 using the trigger inputs
and any external sound sources from tape or other studio gear. A
hi-hat pedal jack allows use of a footswitch to create more realistic
hi-hat effects. There are also 4 independent outputs for either
4 mono outs or 2 stereo outs. The D4's only limitation, is editing.
Drum sounds can only have their tuning, panning and respective volumes
edited. However, drums can be assigned to special groups so that
special drum characteristics can be created such as closed hihats
cutting off open hihat sounds, etc. |
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| 1x Korg EX 8000 | The Korg EX-8000 is the rack- version of the Korg DW-8000. This is a classic synthesizer, awarded "The Keyboard Of The Year" in 1985. The EX-8000 is a hybrid synthesizer, it uses digital oscillators, the rest of the circuits are all analog. It is certainly an analog sounding instrument, The analog filter section is extremely powerful and smooth - probably one of the warmest sounding filters available on any synth It can be driven into deep self-oscillation - good for techno sounds! |
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| 1x Korg DW 6000 | Korg's first digitally controlled analog hybrid synthesizer 12 digital oscillators (2 per voice)! 64 presets that can be reprogrammed by the user. Fat basses, lovely warm sounding, nice strings, and hard leads. Overall, an exceptional and underrated bass and lead machine with some nice pad sounds. |
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| 1x Korg EX/ M1R | Rackversion of the M1 |
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| The DDR30 is incredibly versatile, the samples are a great mix of purely acoustic and electronic (there is an electronic kick that can be modified to be anything from a cheesy simmons thing or a deep 808). Great for recording percussion, This module has some character and enough processing options to get fresh sounds out of it. |
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| 1x Yamaha DX 7 MK1 | One of the most popular digital synths ever is the DX7 FM synthesizer. It's unique sounds are very popular for industrial techno type music as well as ambient and electro. |
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| 1x Yamaha TX 802 | FM Tone Generator (8x DX 7 in one rack
mount) The TX-802 is essentially a vintage synth now, it should not be overlooked at all! The TX-802 is not the easiest synth to use. best synth for bell sounds and electric pianos, brass and analog sounds. |
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